🔗 Share this article Prunella Scales: From the Iconic Fawlty Towers to Great Canal Journeys Prunella Scales, who died at 93 years old, was regarded as one of Britain's finest comic actors. Despite an extensive and respected career on stage and screen, her legacy will forever be linked as the unforgettable Sybil Fawlty in the 1970s TV comedy, the beloved Fawlty Towers. Sybil's primary objective in life to keep tabs on her "stick insect" husband Basil - portrayed by comedian John Cleese - between telephone chats fueled by cigarettes with her friend, Audrey. She was tasked to placate guests who had been shouted at, completely overlooked or, in some cases, throttled by Basil when during his particularly frenzied episodes. Her nightmarish laugh, gravity-defying hairdo and ferocious temper were part of a carefully constructed character that ranks as a humorous triumph. And while numerous performers would have distanced themselves from excessive identification with one particular character, Scales always expressed her delight in participating of the Fawlty Towers experience. Early Life and Career Beginnings The actress born Prunella Margaret Rumney Illingworth came into the world near Guildford on June 22nd, 1932. She belonged to a household profoundly passionate about theatrical arts - her mother being, Bim Scales, an ex-actress who'd given it all up for family life. Bright and bookish, following evacuation during the war to the Lake District, Prunella attended Moira House Girls School in the coastal town of Eastbourne. In 1949, she won a scholarship to the Old Vic Theatre School and - two years later - secured a position as a stage management assistant. This was to the fury of her previous school principal in Eastbourne, who had hoped she would apply to Cambridge University and wrote to the theatre to tell them so. During her theatrical training, Scales was perceived as a junior character actor rather than a natural Juliet candidate. "We all wanted to look like Audrey Hepburn," she subsequently informed her biographer, "but I wasn't attractive and nobody fancied me." Young Prunella also hid her middle-class roots, aware that directors were beginning to look for authentic working-class realism in performers. Nevertheless she began acquiring minor parts in plays, and, during preparations for a part at the Connaught Theatre in Worthing, she encountered Andrew Sachs, who would subsequently appear as Manuel the Spanish server, in Fawlty Towers. Her initial television exposure occurred in the year 1952, as the character Lydia Bennet in a television adaptation of Pride and Prejudice, which included actor Peter Cushing - more famous for his horror film performances - as Mr Darcy. Her initial film appearances followed the next year - in romantic comedy, the film Laxdale Hall, and David Lean's production Hobson's Choice, alongside Charles Laughton. During the latter 1950s and early 1960s, she was rarely out of work - performing across multiple mediums, featuring a brief stint as transport worker, character Eileen Hughes, in Coronation Street. She additionally encountered fellow actor Timothy West. Following what she characterized as "a mild Times crossword and Polo mints flirtation", they got together, and wed in 1963. Breakthrough and Iconic Roles Her big TV break came with the series Marriage Lines, a BBC sitcom about a newly married couple, the Starling couple. Scales performed alongside Richard Briers, at that time a major celebrity in TV humor. The program achieved great success and continued for five seasons. Subsequently arrived the legendary Fawlty Towers, which elevated her to cultural icon. John Cleese and his then wife, Connie Booth, had submitted the first script of Fawlty Towers to the BBC. Performer Bridget Turner had been approached to play the Sybil role but she had turned it down and Scales tried out for the character. She subsequently recalled that Cleese was a hard taskmaster. "John, quite rightly, was extremely rigorous about learning the script, and if you didn't, he could get quite cross, which was fair enough." Only 12 episodes were ultimately produced. The initial season, which debuted in 1975, failed to win huge audiences but, as it continued, its comedic combination of ridiculous physical comedy and awkward circumstances grew in popularity. Scales carefully considered about portraying Sybil Fawlty, and determined that her character's upbringing had to be inferior to Basil's social standing. At first, John Cleese and his wife were unsure about this approach. "After witnessing the initial read-through," recalled Scales, "they were sold on the idea." Later in her career, she frequently found herself, called upon to play "dragons" and "old bags" when she hankered after more glamorous roles. But when asked about what she thought was the high point, Scales immediately identified in selecting Sybil Fawlty. "The role presented challenges," she maintained, "yet I remain proud of my work." She even thought it helped get the paying public into theaters. "I like to think that if the public have seen you in one thing they'll come and see you in another," she said. Later Career and Personal Life Following Fawlty Towers, Scales maintained her career in television, comprising an engagement as character Elizabeth Mapp in the series Mapp and Lucia. Her vocal talents were frequently featured on radio, particularly the comedy program After Henry, which later transitioned to TV, and Ladies of Letters, with actress Patricia Routledge, which became an intrinsic part of Woman's Hour. Scales performed at two major royal roles; as Queen Elizabeth in the BBC production of Alan Bennett's A Question of Attribution, and as the monarch Queen Victoria in a solo performance that she presented four hundred times. She obtained correspondence from one of Queen Elizabeth's security men who confessed that when Scales appeared, he rose to his feet. "The response was automatic," she clarified. "The experience delighted me." During 1995, she began starring as Dotty Turnbull in a series of TV adverts for supermarket giant Tesco - which compensated her partially with shopping credits. The advertising series, which ran for nine years, was cited as the biggest factor in propelling it to market leadership in the mid-nineties. Scales later came in for some gentle criticism for taking part in the Tesco adverts, when she backed a campaign to prevent neighborhood store closures in her area of London. One of her finest performances came in the production Breaking the Code, the movie concerning the Bletchley Park wartime codebreakers. She portrays Alan Turing's mother, who represents a culture that criminalized same-sex relationships, an attitude that eventually led to his death. Away from acting, {Scales was